Welcome back to our television series, pattern-making. If you need a summary had already seen the fixed rate of necessities like story, characters or series. Now let's move to mobile phones.

History Writers and Dialogue Having only one writer is a risky proposition. The ideal is to have a board of writers, if you can not expel from his mind  the others offer. The never ending story needs an endless supply of dialogues like to carry out the episode by episode shows. In one particular scene that you have to create the dialogue as possible and for that the board of the writers who come as a bonus. If you fight for it, which is natural, perhaps you want to get a new twist on the idea of ??putting new angles, triangles or why not even a hyperbola in history that you can re-generate new dialogues. You have to keep an eye on the audience too; boring once in a while is fine, but you must never go crazy. The producers of the channel, remember

The Director Since you are the director must be the toughest nut to crack. Well, it's your baby and, naturally, prefers to be the leader and friend philosopher-guide. But in practice it must be a ruthless dictator to make decisions unilaterally and respect for anyone, but the producers of the channel. If a particular character actor, is creating problems s  he must die in the series, producers demand a dead character may have to be taken alive, and some others may have to be replaced, time starts transition or the injection of an absurd and more characters in the series, and so on. All these situations demand in their decisions alone. We encourage you to keep one or two directors episode also as is the case in many soaps. We have good reasons. First, a director is directly identifiable and is an easy target for angry viewers, if any. Second, the endless monotony can be too much for you and you may lose your sanity. Third, and producers of the channel of the ball always stops exclusively in its sole end.

Pass the time This is the time to pass from the perspective of manufacturers as standard, not spectators. Make an endless series is not easy. So you should go in creating common rooms tactics over time. It does this by having merry go round parading dramatic reaction shots all the characters in the room who can take care of one or more episodes, to have dialogues that never cease, giving a shock treatment end to one or more characters that lose their ability to speak and communicate only through the loud music that can last up to one or more episodes, by incorporating the absurd characters and telling their stories, and the like.

Conclusion () Since all these guidelines apply some doctrines constantly normal, and good wins over evil is neutralized. Evildoers in series going to do evil, which may include even murder as the police are not called, because the entrance of the police can turn the series to a logical end. Only offset by the creation of temporary measures help from time to time. Thus, the antagonist becomes the key to success never ending serials. At the receiving end we can only try to get used to it.